“A musical masterpiece!… a musical match made in heaven… A must-have album for anyone who adores everything good about the Electronic, Post Rock, Dreampop & Shoegazing genres” Primal Music Blog
“Transcending physical and political boundaries to make sonic nu-dreamscapes” Impose Magazine
“Perfect match of pristine vocals with the alternative rock stylings of Swervedriver” Stereo Embers Magazine
“A sense of grandiosity” Sounds Better With Reverb
“Kaleidoscope of reverb-soaked guitar, intricate drums, heavy bass and distorted guitars intertwined with ethereal vocals” Louder Than War
“For all the things concealed behind the iron curtain, one very cool sonic phenomenon has emerged Sounds of Sputnik.The world is a slightly better place thanks to their musings” Graham Bonnar (Swervedriver, Brian Jonestown Massacre)
Moscows Sounds of Sputnik has announced they will release their newNew Born Remixed EP via Emerald & Doreen Recordings. Surrounding tracks co-written, produced, and recorded by Canadian-Ukrainian dreampop duo Ummagma, these tracks also feature stellar vocals from Ummagmas Shauna McLarnon and Alexander Kretov.
Bursting with some tremendous songs and a vitality that belies over 30 years in the game – The Quietus
Its hard to deny the brilliance of a band that, so late in its career, can crank out an album as passionate, hook-filled, and flat-out fiery as this -AllMusic
Full of bizarre twists and turns that make it unlike any album they have released to date – Drowned In Sound
Hes sure as hell not mellowing with age – The Line of Best Fit
TheWeddingPresent present their track ‘Broken Bow’ not long after premiering ‘KillDevilHills‘. These are among the more animated bustling tracks from their new album Going, Going , referencing the interplay between alienation, distance and freedom for the first track and a sensual predatory encounter in the second. This UK indie cult band’s widely anticipated ninth studio album gets its vinyl release on December 2nd in North America via Happy Happy Birthday To Me Records (HHBTM). The album retells the story of a road trip across the USA, revealed across a collection of twenty linked songs, each with an accompanying short film.
Get Off Easy, the latest full length from Canadian sleaze rockers Savage Henry and the Infamous One Pounders, comes off about as graceful and well-timed as a fart joke in a wedding speech. I suppose the cover art, a greasy sausage dipped into a glass of whiskey on the rocks, should have been fair warning. Obviously, an album like this isn’t meant to be taken seriously but it’s still hard to ignore the awkward timing of this “joke” that’s been told a million times before yet needs to be told again while rape culture is more apparent than it’s ever been.
MEN ARE DEAD, MEN ARE GONE, BUT SOME CHICKN CARRIED ON”
Chinkn’s Aleppo sounds like a lost Aphrodite Child demo dipped in classic rock fanaticism.
Chickn is a modular music group formed during the Christmas holidays of 2012 in Athens, Greece. They recorded their first demo in the summer of 2013, when they obtained their current form. Chickn are Angelos Krallis (vocals, guitars, lute, ,tsambouna, udu), Evangelos Aslanides (drums, percussion, djembe, darbuka, bendir) and Pantelis Karasevdas (drums, percussion, congas, djembe).
Chicken’s debut, self-titled, LP will be out 10/10/16 on Inner Ear Records. This is a radio zapping on a 68-minute car drive. This is a field unfolding in front of your very eyes and at the same time a call of wandering. This is an attempt of some people to invent themselves through playing. This is Jetztzeit rock. A sound conceived as jump in the free sky of history.
If you’re American, it didn’t really matter where you fell on the political spectrum after this week’s presidential debate; you were angry to say the least. The general sentiment being that neither option on the ballot is really ideal, it was to be expected that the musical tributes to our impending dissatisfaction began rolling in. While you might find your mood best matched by some enraged anarcho a-la Crass, that’s not even close to what we’re offered by New Jersey rock trio The Spiders and their timely new single “Election Day.”
However, perhaps what they present is a bit more appropriate for the edge-of-apocalypse vibe in the U.S. Opening with some good ol’ fashioned Southern rock riffage, it’s not long before head Spider Nick DeStefano’s cock rock-inspired vocals sneer into the spotlight, narrating the dismal decision the country faces this November. Over the next 3 minutes, he airs out the country’s communal grievances, highlighting that while this election has left us fairly divided, we are united in our crippling disappointment. The choruses come across as a sarcastic fist pumping pep rally right at home in the heart of a song about America’s baffling present circumstance.
At the end of the day, if I’m feeling angry, I’m probably going to listen to some late ‘70s punk. But between the generic rock riffs and all-American vocals, The Spiders do drive home the point that politics isn’t a niche genre; it’s a saturating universal which is pretty disturbing.
After a short summer break and the writing of material for their third album nearly complete, WEIRD. have announced there is a new single on the horizon first, for which they are offering a work-in-progress teaser, a somewhat minimalistic version of the track-to-come. They have also announced they will tour this month, with dates confirmed in various cities in Italy, France and Switzerland, and have just released a new live video of ‘Infinite Decay’ as a taste of what to expect.
Renowned performance artist and musician Rachel Mason, freshly signed to Los Angeles-based Cleopatra Records, has announced her forthcoming single Tigers in the Dark, along with an accompanying video, directed byMatthew Spiegelman and choreographed by Haylee Nichele. This is the first single from the forthcoming album Das Ram’. The single, which is due out on September 9, will be followed by the ‘Das Ram’ LP, to be released digitally by Cleopatra Records and on limited edition cassette by Practical Records.
This song is written from the voice of an imaginary animal-human hybrid, who expresses the idea that real life only occurs on the stage, as it represents the creative dimension where everything is possible.
Ahead of their six-week European tour, NOTHING have shared a new music video for “Curse Of The Sun”, taken from their critically acclaimed second album, Tired Of Tomorrow, out now on Relapse Records.
Filmed at shows through New York City, Philadelphia and Washington on NOTHING’s headlining ‘Tired Of Tourism’ tour through North America this past May, “Curse Of The Sun” was directed by Jimmy Hubbard (Baroness, Carcass etc). Speaking of the track’s ideals, frontman Domenic Palermo explains:
“This song is a nothing more than a declaration of war with the Sun. It’s the center of the universe that’s to blame for spawning this epidemic of life that is laughably plagued by death. The dark Casanova sprouting humans who live to have everything they can get their hands on, just so they can die and litter it all behind. I’m often reminded by this when we’re playing these big venues filled with hundreds of humans, so it only seemed natural to film in a live setting. That’s the only reason I chose to do a live video actually. They’re normally fucking stupid. Well, that and because Jimmy was filming it all.”
NOTHING have toured solidly across North America since the release of Tired Of Tomorrow. In addition to headline dates, the band have shared stages with Jane’s Addiction, Dinosaur Jr, DIIV, Relapse label mates WRONG and California’s Culture Abuse, as well as festival appearances at Lollapalooza, Governor’s Ball, Spillover, Shaky Knees, Levitation, Forecastle and more. Following a sold-out album release show at Hackney’s MOTH Club earlier in the year, NOTHING return to the UK on September 11th starting a run of UK dates at Bristol’s Start The Bus.
The new single from Cyprus-based pop rock trio The smallest Creature is fittingly titled “Reboot” as it conjures sonic reminders of late-‘90s radio rock and post-Britpop tunesmithery, whether intentional or not. A vulnerable repetition of rhythmic acoustic guitar chords set the tone with distant vocals calling across militant drums, a well-rooted bassline and gusts of strings which bring a golden warmth to the otherwise cold inevitability of the verse.
Yet, as “Reboot” explodes into its emotionally wailing chorus, it becomes evident that the song’s true power is in its quitter moments, when the intensity of the emotion has room to breathe and build. While the chorus drags you back to some secluded point of 1997, the verse has a timeless whirling quality defying the stern drum cadence and gray melodies, propelling us ever forward.
We’re left in torrents of frigid guitar playing off the chorus melody before pulling back into a contemplative feedback-strewn skeleton of the verse. Short but bittersweet.
From down the end of Los Angeles, the barebones gravepunk duo Band Aparte strips down and combines elements of gothic rock, synthpunk, and beachy lo-fi as macabre appreciation simmers in the gut of the city. Vocalist Brian Mendoza effortlessly channels Joy Division and Nick Cave, crooning into a death bouquet with his shirt unbuttoned. But he’s not doing it to imitate Morrissey’s aesthetic — Band Aparte’s shows are fast and fierce, and the crowd works up a sweat at every venue they play.
It’s a dangerous mixture that has crushed nights alongside such bands as Cruelty Code, Roses, Ghost Noise, and Terminal A.